Interview With Luke Hamill
Luke Hamill has a gorgeous uncut dick, baby blue eyes and light brown hair. He's also one of the employees of the European studio Bel Ami, appearing frequently in videos, training new models and producing and editing Internet Episode videos. He stands over 6ft tall and both tops and bottoms. Luke debuted in gay porn in 2005.
BelAmi recently released the interview of my favorite BelAmi Boy the tall, blond and handsome Luke Hamill. The interview was conducted in Los Angeles. He, Dolph Lambert and Josh Elliot were joined by George Duroy himself for a whirlwind trip to San Francisco for the 2009 GAYVN Awards, and to Los Angeles for sightseeing and business.
“I am happy Luke and the boys could come on this trip,” George said after the awards. “They were treated in San Francisco like movie stars. Luke works very hard and it is good for him to come to a new city and meet his fans and be treated like a star.”
Luke is one of Bel Ami’s most popular stars and an integral part of our operations. He carries a lot of responsibility. And for many new models, Luke is the person who forms their first impression of the company. First of all, as their trainer, he has sex with many of them (what a lucky job, eh?) but he also serves as advisor and counselor. We talked with him about how to train a new recruit for filming sex on camera.
Q: Let’s start at the beginning. How long have you been at Bel Ami?
Luke: I have been at Bel Ami five-and-a-half years. I worked for a long time as a model, and for three years I worked behind the scenes. When I started behind the scenes, I began with training new models for work. And then George asked me to shoot for new episodes.
Q: Do you mean as a cameraman?
Luke: Yes, as a second cameraman. I shot for Sebastian Bonnet, several episodes for a new movie. I also shot during big scenes with Marty Stevens, Lukas Ridgeston and Sebastian. And now my work is about organization [producing] for every big shoot, and also training boys. Every new model who comes to Bel Ami meets with me, and I shoot with them [training] scenes, naked bodies, hard dicks.
Q: Can you explain what you mean by that?
Luke: The real eye and the camera’s eye are different. So we want to see how the guy looks on camera. Some look better in normal life, and some look better on camera or in a picture.
Q: Were you interested in working behind the scenes? How did that come about?
Luke: It was chance. Sebastian wanted somebody for second camera for one episode. I told him, “Okay, I have time, I can help you.” My work was good, and he told me he needed help in the summer. I said okay. That was my job for the summer. And that was very good experience. Sebastian is a very good guy. I spent a lot of time with him.
Q: What did you learn with him?
Luke: He gave me good experience about how he shoots sex, what he looks for when he is shooting. His eye is different. It is very creative work, so many different angles or positions.
Q: How much creative freedom did you have, or did he instruct you?
Luke: I had half of my own creative freedom, and half of what Sebastian told me to do.
Q: Do you want to direct on your own?
Luke: No. I sometimes shoot training videos, but not on my own.
Q: Let’s talk about training a new model. What do you do when you begin training?
Luke: Many guys who come to work for Bel Ami don’t have much experience in their private life. He may never have tried sex with more than one partner. He knows just three positions and nothing more. I show him many positions, and how to kiss. I show them how to suck and to play with the balls. He may have no experience with a guy and so everything is new. I also find within him the craving for sex. Everybody has some craving inside him for harder sex and soft sex in combination.
Q: How do you bring that out of someone who doesn’t have a lot of sexual experience?
Luke: I have a very short time to meet with him. But we have conversations about his private life and his friends and relationships with family. We talk about how and where our scout found him, and his work and schooling. After these conversations, I know about this guy and if we work with him whether it will be easy or hard. I usually can know if he has something special inside. I need to know this before we shoot together. Josh Elliot sometimes helps me. He will stay in the room and watch and tell the guy when he has a bad position for the camera or where he should put his hands.
Q: It sounds like a lot of work.
Luke: Yes, but this is really good for a new guy because he sees somebody in the room. It’s much easier to have sex with me behind a closed door. If somebody comes to the room, the guy may get nervous. I can show him everything but if he doesn’t like people around him, two or three cameraman and a big crew, then he cannot shoot.
Q: That makes sense, of course.
Luke: Some days I have two or three guys to train and not much time. So I put them together. And if one guy is nervous, but the other two guys are happy, then he is happy, too. It is important because he feels somebody next to him and looking out for him. That is my style of working. Nobody told me how to train these guys. George gave me a chance and I work in this style. I hope my work is good!
CONTINUE THE INTERVIEW WITH HUNDREDS OF VIDEOS AND PICS OF LUKE
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Ewan McGregor gives a great interview to 
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